Report◉ Yusuke Tamura
When we look into the abyss for a long time, the abyss are also looking into here ... Oh, this abyss ... there is a lens ...?This abyss ... yes!Canon Made in "Mount Adapter EF-EOS R 0.71 × ”!Fight shooter!Look into it!Monster, be me!(Nietzsche
Full size is the best ... Our S35 that makes use of the huge lens assets ... Kukuku ... Your flange back can be done!I am the one who covers all the image circles M4/3 ...1/1.7 -inch lens replacement camera Do you know or mooguri?65 "Did you call me?"APS-H "Call me?"It's a large format but it's a mini!Hitome!We are the photographers who are exhausted by the long -term sensor size and mount controversy.As of 2021, after the battle that would only be bad.As a result of various standards blooming on the body side, the lens can be brought with an EF for the time being.Isn't it concluded in a way!I guess, but what about?
Originally a mount adapter that came out with an approach from the third party side for the photoThis has become very useful in the video industry, as the various functions and sensor sizes are random in taking images.There was no electronic contact point in the dawn one step before the mounting adapter epidemic, and the electronic aperture lens, which is not a manual lens, is determined by a genuine mount machine, removing it from the camera and attaching the state where the lens suddenly died.Starting with the ingenuity, the adapter itself has a squeezing mechanism, or equipped with electronic contacts so that the aperture and shake correction move.
And when the M4/3 and the first BMPCC are popular, a reder lens, that is, a reduction optical system, to bring it a little sensor, but to get a little closer to the focal length of the lens 0..71 times and 0.64 times, the depth of field does not change, but the brightness is one step or one step, and the mounting adapter that everyone has standard equipment has been available.It also includes a famous machine that SIGMA created with the pride of a replacement lens manufacturer, MC-11.In the meantime, the camera industry has been evolving and integrated, and the video and photos are becoming more and more borderless.Almost all company mirrorless upper machine standby!As a video machine, it will be a bang -bang full size!Last year, a new star that seemed to be "Oh ...?"
Yes, EOS C70.
As the manufacturer says, "The short flango back has achieved a small body that greatly reduces the depth of the body," the size of the single -lens reflex camera and the cinema camera is in the middle.A very challenging dish with a DGO (DUAL GAIN OUTPUT) sensor adopted by EOS C300 Mark III.This camera, which came out immediately after the rivals began to run the intense full size of EOS R5 in the company, was released at the same time as the "Mount Adapter EF-EOS R 0" introduced this time..71 × ”.Yes, the camera maker is genuine and has released a company's own mount adapter equipped with a reder lens!This is a good idea!Product!
However, there is one fact that I have to add further addition to this introduction ... The male of the DSMC world, RED, a SUPER35 sensor -equipped camera with an RF mount also appeared ... Komodo is komodo ...It is a real meal time.
▲ Oops, it's komodo ... Where is C70?
By the way, I have been using a mount adapter myself so far, but it is a habit.Using a lens -equipped mount adapter, how versatile it is, the first BMPCC, GH5, BMPCC4K, etc.From such a head, of course, all lenses can be used this time!You can use all-you-can-use SIGMA18-35 and 10-20 that you love!I thought, but of course these lenses are all over.It's natural!0 to SUPER35 sensor.This is a full -size EF lens only because it's 71 times.
Nevertheless, imagine my face that I first wore these lenses and made it.I can't.I don't know!My face!Until now 0.It's a stupid story, probably because we have avoided 64 times.
However, if you want to use the lens in that area, you should use another genuine EF-EOS R adapter.It is a merit of a Super35 sensor to be able to accept all lenses over Super35 without using a crop mode, which is slightly imaging with a full -size machine.If it is strong, C70 has a means of changing the shooting resolution in Komodo, but I wonder if this is no longer a rig.Since the story is gradually getting closer to the camera, I will round it up here.
▲ EF-EOS R 0.Speed Booster Ultra 0 for M4/3, which has been using 71 x (left).71x (right).In this way, METABONES is also working hard on internal treatment.As an aside, METABONES is also Ultra 0 for EOS R and EOS RP 4K crop videos.I release 71x.
↓ This is SIGMA 18-35mm.Of course, the wide (above the photo) is tight.The bottom is 35mm.Is it surprising after 24mm?It's OK without overdoing it.
↓ This is ZEISS LWZ.3 21-100mm.This is also a similar result and the wide (top photo) is tight.Is it surprising after medium distance?Feeling (ry)
Although it is a genuine camera maker mount adapter, it can be used normally with Komodo outside the company!happy!At that point, KOMODO once left.I mean, komodo is really doing it ... because it comes with EF-EOS R?No, no, I left.
In this stage, it is an introduction of functions that can only be done by genuine.This mount adapter, when installed, the lens information displayed on the C70 monitor is probably all after converted.For example, if you attach a 40mm lens, the screen will be 28mm.F2 is F2 if it is F4.To 8.Furthermore, if a cinema lens is installed, the T value is written from the F value notation.Probably, I remember that Metabones also responded in this part, generally corresponding, but there was a difference in the notation depending on the lens.It may be improved now, but this is the combination of this genuine.I will probably do it.
However, this is very grateful if you use it on C70 alone or multiple C70 units.Since it is only necessary to match the one that is written as usual, the way of thinking at the site will be very smooth.It is very thankful when mixed, such as when the same mount adapter is not available for the number of units.It is simple and good that the numbers jump in intuitively, not when mixed.
I don't think there is a site where C70 and komodo are mixed in the first place, but it is very troublesome when this is mixed.It's a completely unexpected case, so let's prepare it properly so that this doesn't happen (laughs)
In the case of the C70, when using a still lens, the F -number is automatically adjusted and the same exposure is the same, and the F notation is the same.
In the case of cinelene, if you simply replace it as it is, the exposure will change.It's confusing, but first EF-EOS R 0.Since it was 71 × to T4, if it is a normal adapter, it will be a real T5..6, manual T4.Change to 0 and the exposure is almost the same.If this is komodo, T5.It is 6 criteria and it becomes complicated in various ways.
When the cinelene is attached to the C70, the screen description is 2 at the time of T4..8.T1.T1 at 5.0 Notation.
And how much does it actually change when you wear an adapter?This is a story, but this is a simple comparison because it really changes in various ways depending on the MM number of Lens, the aperture value, the distance to the target, the condition of the lens, body, and adapter.The lens choice is 40mm of the third party SIGMA because the body is mixed out of the company, EF-EOS R and EF-EOS R 0 in cine and stills..Side by side with C70 and komodo while changing 71 ×.
The picture is here.The color is just a combination, so I hope you can simply see the difference in the angle of view.By the way, the left side of the side -by -side is C70 and the right is komodo, so please take a look while adding the small difference.I lied one.This is the same glass ball and this is the same glass, so please forgive me!
▲ In such a state, the distant view of Shinjuku is jarring.
▲ Is komodo a little wider?
By the way, how about changing the shooting resolution with komodo and shooting with sensor crop?When I applied Sigma18-35mm for the question, 6k17: 9 was wide, tele, but the tele side was almost safe in 5K17: 9.And in the case of 4K17: 9 crops, both the wide and tele disappeared.In this way, depending on the combination, you can use S35 lenses, so if you check your lenses in advance, it may help in case of emergency.
6k17: 9 o'clock SIGMA18-35mm 18mm
5k17: 9 o'clock SIGMA18-35mm 18mm
4K17: 9 o'clock SIGMA18-35mm 18mm
What is the distortion or the trick via a reder lens?I think there is a story.This was adjusted in a pretty good category from my own eyes.At first glance, Komodo is likely to get angry at SIGMA40mm, but here is a good combination to see the adapter identity.There is also the accuracy of the grid on the back, so please refer to it.
▲ Not only the original lens is a lens that does not rely on body correction, but the quality of distortion is almost the same.This is excellent.
In addition, this mount adapter was not available this time, but there is one special option with standard equipment for the C70.By fixing the feathers and the body that pops out on both sides, the mount adapter can be fixed to the body to the body.This was a genuine manufacturer, and as a later unit!It is a place to do it!
▲ The strength of each other is that you can use the screws that can be seen around the body mount and lock it as if wrapped.
It is the final stage, running on a rush every time.In a sense, there was a hand that could be launched by Canon, which was like a mirrorless afterbody, but as part of that (although I want you to use the RF lens), it sold to 100 million sold.Feding out the EF lens as it is has released three types of EF-EOS R adapters, as it is synonymous with biting the user.Mark, with control ring, with drop -in filter.Up to this point, it is a great place for EF lens users.One hand added to it.As an EF user from the original SLR D30, tears are a bit off.
I wrote such a review, but I don't have the C70 at hand.But Komodo is at hand.This is the third one with the own RF mount body (two are R5).I was wondering if I would sink in the RF swamp and sink in, but as I wrote at the BMPCC6K Pro review, it was a very difficult time of this plague spread.I think that it is a great ant as a choice for KOMODO in terms of lens selection at this time.Of course, about C70.Some of the Komodo users who are actually getting along are already this EF-EOS R 0.I'm using 71 x!Some people say.Sony, which has released LA-EA5 and LA-EA4, Nikon, who has released a mount adapter FTZ, and a mount adapter that has one more flexible operation as a genuine manufacturer.How would you consider this time?So I would like to scatter this time.Oshima!
▲ What is a genuine mount adapter ... what a sweet sound?
Manufacturer's product information page
Mount adapter EF-EOS R 0.71 ×
EOS C70
Red komodo 6k
EF-EOS R 0.71 ×キヤノンマウントアダプター